| Spring, Summer, Fall, Winter... and Spring | |
|---|---|
| Hangul | 봄 여름 가을 겨울 그리고 봄 |
| RR | Bom yeoreum gaeul gyeoul geurigo bom |
| MR | Pom yŏrŭm kaŭl kyŏul kŭrigo pom |
| Directed by | Kim Ki-duk |
| Produced by | Karl Baumgartner Lee Seung-jae |
| Written by | Kim Ki-duk |
| Starring | Su Oh-yeong Kim Young-min Seo Jae-kyung Kim Jong-ho Ha Yeo-jin |
| Distributed by | Cineclick Asia |
| Release date(s) | September 19, 2003 (South Korea) |
| Running time | 103 min. |
| Country | South Korea |
| Language | Korean |
| Gross revenue | $9,524,745 |
Spring, Summer, Fall, Winter... and Spring is a 2003 South Korean film about a Buddhist monastery that floats on a lake in a pristine forest. The story is about the life of a Buddhist monk as he passes through the seasons of his life, from childhood to old age.
The movie was directed by Kim Ki-duk, and stars Su Oh-yeong, Kim Young-min, Seo Jae-kyung, and Kim Jong-ho. The director himself appears as the man in the last stage of life. The quiet, contemplative film marked a significant change from his previous works, which were often criticized for excessive violence and misogyny.
Contents |
The film is divided into five segments (the five seasons of the title), each segment depicting a different stage in the life of a Buddhist monk. The segments are roughly ten to twenty years apart, and the action of each takes place during the season of its title.
We are introduced to the life of the very young Buddhist apprentice living with his master on a small floating monastery, drifting on a lake in the serene forested mountains of Korea. The apprentice and his master live a life of prayer and meditation, using an old rowboat to reach the bank of the lake where they regularly go walking, for exercise and to collect herbs. One day, in a creek amongst the rocky hills, the apprentice torments a fish by tying a small stone to it with string and laughing as it struggles to swim. Shortly after, he does the same to a frog and a snake; his master quietly observes on all three occasions, and that night ties a large, smooth rock to the apprentice as he sleeps. In the morning, he tells his apprentice that he cannot take off the rock until he unties the creatures he tormented - adding that if any of them have died, he will "carry the stone in his heart forever". The boy struggles with the load on his back through the forest, and finds the fish, lying dead at the bottom of the creek, finds the frog still alive and struggling where he left it, and finds the snake in a pool of blood, presumably attacked and killed by another animal, unable to get away. The master watches as the boy begins to cry heavily at seeing what he has done to the snake.
The apprentice (now in his teenage years) encounters a mother and daughter (dressed in modern clothes, indicating that the film takes place in modern times) walking along the forest path, looking for the lake monastery. The apprentice silently greets them and rows them across the lake to the monastery, where it is revealed that the daughter has an unspecified illness (she displays symptoms of a fever) and has been brought to the Buddhist master by her mother, hoping that she will be healed. The master agrees to take in the teenage girl for a time, and the mother leaves. Over the next few days, the apprentice finds himself sexually attracted to the girl, but is too shy to say anything; however, when he finds her sleeping in front of the Buddha statue, he is unable to resist groping her chest. She wakes up and slaps him. In a guilty panic the apprentice begins to pray incessantly, something his master notes as strange. Touching the apprentice's shoulder, the girl seems to forgive him. Eventually, the two wander off into the forest alone and have sex. They repeat the act over the next few nights, hiding their relationship from the master, until he discovers them asleep and naked, drifting around the lake in the rowboat. He wakes them up by pulling the plug out of the boat. Rather than expressing anger or disappointment, he merely warns his apprentice that "lust leads to desire for possession, and possession leads to murder", but does tell him that the girl will have to leave. The apprentice reacts emotionally to this, and in the middle of the night runs away from the monastery in pursuit of the girl, taking the monastery's Buddha statue and a rooster with him.
Many years later, during the Fall, the aging master returns from a supply run to the local village including a cat. By chance he glimpses a warrant for the arrest of his former apprentice in a newspaper, wanted for the murder of his wife. Foreseeing the apprentice's return, he modifies the teenage monk's garments by hand, and soon afterward the adult apprentice appears in the spiritual door at the lake's edge, still full of anger and carrying the bloodstained knife with which he stabbed his wife for having started an affair with another man. Unwilling to go on, he seals his eyes, mouth and nose in a suicide ritual and sits in front of the newly returned Buddha statue, waiting for death. The master discovers him, and beats him ruthlessly, professing that while he may have killed his wife, he will not kill himself so easily. He ties his bloodied apprentice to the ceiling and sets a candle to slowly burn through the rope, then begins painting "Heart Sutra" on one side of the monastery deck, by dipping his cat's tail into a bowl of black ink. The apprentice eventually falls, and beginning his repentance, cuts his hair off and starts carving the Chinese characters out of the wood. As he carves and the master paints, two detectives arrive at the monastery and try to arrest the apprentice, but the master asks them to let him finish his task until the next day. The apprentice continues without stopping, and collapses into sleep immediately upon finishing. Seemingly influenced by the soothing presence of the master, the detectives help the old monk paint his apprentice's carvings in orange, green, blue and purple. The apprentice finally wakes up, and is taken away by the detectives. After they leave, the master, knowing that he is at his end, builds a pyre in the rowboat. He seals his ears, eyes, nose and mouth with paper in the same suicide ritual his apprentice performed and meditates as he is suffocated and burned to death. One can see his tears in the paper seals as flames engulf him.
The middle-aged apprentice returns to the frozen lake and to his former home, which has been drifting uninhabited for years. He finds his master's clothes, laid out just before his death, and digs his master's remains, his teeth only, out of the frozen rowboat. He carves a statue of the Buddha out of ice, wraps his master's "sari"(small crystals sometimes found among cremated remains of monks, and regarded as sacred relics), in red cloth, and sets them in the statue under a waterfall. He finds a book of choreographic meditative stances, and begins to train and exercise in the freezing weather. Eventually, a woman comes to the monastery with her baby son and a shawl wrapped around her face. She leaves her son and flees into the night, but as she runs across the frozen lake she unknowingly stumbles into the hole dug by the monk. He finds her body the next day, and he removes her from the water to look at her face, although it is not shown to viewers. He ties the monastery's large, circular stone to his body and retrieves another statue from the monastery before climbing to the summit of the tallest surrounding mountain. As he climbs, he reflects upon the fish, the frog, and the snake. He prays at the summit, and leaves the statue overlooking the monastery.
Finally, returning to "Spring", the cycle is completed: the new master lives in the monastery with the abandoned baby, now his apprentice. The boy is shown to torment a turtle, echoing his predecessor.
Kim Ki-duk said of the film: "I intended to portray the joy, anger, sorrow and pleasure of our lives through four seasons and through the life of a monk who lives in a temple on Jusan Pond surrounded only by nature." [1]
"The hermitage that is the stage for SPRING, SUMMER, FALL, WINTER... AND SPRING is an artificially constructed set made to float on top of Jusan Pond in Cheongsong County, North Kyungsang Province in South Korea. Created about 200 years ago, Jusan Pond is an artificial lake in which the surrounding mountains are reflected in its waters. It retains the mystical aura of having trees more than one hundred years old still growing along its shores. LJ Film was able to obtain permission to build the set after finally convincing the Ministry of Environment through six months of negotiations." [2]
The film was received very well by critics, holding a 95% "Fresh" rating on film review aggregate website Rotten Tomatoes and 85 out of 100 on Metacritic.[1][2]
One of the scenes near the end of the film was excised from the UK and Danish versions of the film, likely due to claims of animal cruelty, when a cats tail was used as a paintbrush. The cat was at most "disgruntled" and was in no way harmed.
The critic Roger Ebert included the film in his list of great movies.[3]
The traditional song used near the end of the film, while the adult monk is climbing the mountain, is called "Jeongseon Arirang", sung by Kim Young-im. The film score was composed by Ji Bark.
| Preceded by Chi-hwa-seon |
Blue Dragon Film Award for Best Film 2003 |
Succeeded by Silmido |
| Preceded by Memories of Murder |
Grand Bell Award for Best Film 2004 |
Succeeded by Marathon |
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